“Lizabetha Prokofievna!” exclaimed the prince.
But as we said before, the fact of Adelaida’s approaching marriage was balm to the mother. For a whole month she forgot her fears and worries.
And why had not the prince approached him and spoken to him, instead of turning away and pretending he had seen nothing, although their eyes met? (Yes, their eyes had met, and they had looked at each other.) Why, he had himself wished to take Rogojin by the hand and go in together, he had himself determined to go to him on the morrow and tell him that he had seen her, he had repudiated the demon as he walked to the house, and his heart had been full of joy.
“And she gave it you to read herself--_herself?_”
He had found her in a condition approaching to absolute madness. She screamed, and trembled, and cried out that Rogojin was hiding out there in the garden--that she had seen him herself--and that he would murder her in the night--that he would cut her throat. She was terribly agitated all day. But it so happened that the prince called at Hippolyte’s house later on, and heard from his mother that she had been in town all day, and had there received a visit from Rogojin, who had made inquiries about Pavlofsk. On inquiry, it turned out that Rogojin visited the old lady in town at almost the same moment when Nastasia declared that she had seen him in the garden; so that the whole thing turned out to be an illusion on her part. Nastasia immediately went across to Hippolyte’s to inquire more accurately, and returned immensely relieved and comforted.
He had the key in his hand. Mounting the staircase he turned and signalled to the prince to go more softly; he opened the door very quietly, let the prince in, followed him, locked the door behind him, and put the key in his pocket.
| “I... you,” he began joyfully. “You cannot tell how I... he always spoke so enthusiastically of you, Colia here; I liked his enthusiasm. I was not corrupting him! But I must leave him, too--I wanted to leave them all--there was not one of them--not one! I wanted to be a man of action--I had a right to be. Oh! what a lot of things I wanted! Now I want nothing; I renounce all my wants; I swore to myself that I would want nothing; let them seek the truth without me! Yes, nature is full of mockery! Why”--he continued with sudden warmth--“does she create the choicest beings only to mock at them? The only human being who is recognized as perfect, when nature showed him to mankind, was given the mission to say things which have caused the shedding of so much blood that it would have drowned mankind if it had all been shed at once! Oh! it is better for me to die! I should tell some dreadful lie too; nature would so contrive it! I have corrupted nobody. I wanted to live for the happiness of all men, to find and spread the truth. I used to look out of my window at the wall of Meyer’s house, and say to myself that if I could speak for a quarter of an hour I would convince the whole world, and now for once in my life I have come into contact with... you--if not with the others! And what is the result? Nothing! The sole result is that you despise me! Therefore I must be a fool, I am useless, it is time I disappeared! And I shall leave not even a memory! Not a sound, not a trace, not a single deed! I have not spread a single truth!... Do not laugh at the fool! Forget him! Forget him forever! I beseech you, do not be so cruel as to remember! Do you know that if I were not consumptive, I would kill myself?” |
“The child she carries is an orphan, too. She is Vera’s sister, my daughter Luboff. The day this babe was born, six weeks ago, my wife died, by the will of God Almighty.... Yes... Vera takes her mother’s place, though she is but her sister... nothing more... nothing more...”
“No, not yet. Very likely she never will. I suppose you haven’t forgotten about tonight, have you, Ivan Fedorovitch? You were one of those specially invited, you know.”
“Of what? Apologizing, eh? And where on earth did I get the idea that you were an idiot? You always observe what other people pass by unnoticed; one could talk sense to you, but--”
“Where they played last night. Then I found this bench and sat down, and thought and thought--and at last I fell fast asleep.”
“I should think not. Go on.”
“Oh! I _don’t_ intend to. Thanks. I live here, next door to you; you noticed a room, did you? Don’t come to me very often; I shall see you here quite often enough. Have you seen the general?”
| “I am vile, vile; I know it!” cried Lebedeff, beating his breast with a contrite air. “But will not the general be too hospitable for you?” |
“Oughtn’t-oughtn’t we to secure her?” asked the general of Ptitsin, in a whisper; “or shall we send for the authorities? Why, she’s mad, isn’t she--isn’t she, eh?”
“The woman’s mad!” cried Evgenie, at last, crimson with anger, and looking confusedly around. “I don’t know what she’s talking about! What IOU’s? Who is she?” Mrs. Epanchin continued to watch his face for a couple of seconds; then she marched briskly and haughtily away towards her own house, the rest following her.
III.
Heading this little band walked three ladies, two of whom were remarkably lovely; and there was nothing surprising in the fact that they should have had a large troop of admirers following in their wake.
| Aglaya alone seemed sad and depressed; her face was flushed, perhaps with indignation. |
On the morning following the bacchanalian songs and quarrels recorded above, as the prince stepped out of the house at about eleven o’clock, the general suddenly appeared before him, much agitated.
“Indeed, you must not go away like that, young man, you must not!” cried the general. “My friend here is a widow, the mother of a family; her words come straight from her heart, and find an echo in mine. A visit to her is merely an affair of a few minutes; I am quite at home in her house. I will have a wash, and dress, and then we can drive to the Grand Theatre. Make up your mind to spend the evening with me.... We are just there--that’s the house... Why, Colia! you here! Well, is Marfa Borisovna at home or have you only just come?”
The prince gazed at it for a minute or two, then glanced around him, and hurriedly raised the portrait to his lips. When, a minute after, he reached the drawing-room door, his face was quite composed. But just as he reached the door he met Aglaya coming out alone.
“The urchin, I tell you!”
“But you are half asleep, are you not? If you don’t want him, I will take him back to my house! Why, good gracious! He can hardly stand up himself! What is it? Are you ill?”
Elizabetha Prokofievna sometimes informed the girls that they were a little too candid in this matter, but in spite of their outward deference to their mother these three young women, in solemn conclave, had long agreed to modify the unquestioning obedience which they had been in the habit of according to her; and Mrs. General Epanchin had judged it better to say nothing about it, though, of course, she was well aware of the fact.
“Come, that’s a little _too_ strong, isn’t it?” murmured the old man, glancing at General Epanchin in surprise.
After moistening his lips with the tea which Vera Lebedeff brought him, Hippolyte set the cup down on the table, and glanced round. He seemed confused and almost at a loss.
“I should think not. Go on.”
“No? I thought you very much younger.”
“Some of us laughed at the subject; some liked it; but she declared that, in order to make a picture of the gentleman, she must first see his face. We then began to think over all our friends’ faces to see if any of them would do, and none suited us, and so the matter stood; that’s all. I don’t know why Nicolai Ardalionovitch has brought up the joke now. What was appropriate and funny then, has quite lost all interest by this time.”
“My dear,” said the general, “it seems to me that a sick-nurse would be of more use here than an excitable person like you. Perhaps it would be as well to get some sober, reliable man for the night. In any case we must consult the prince, and leave the patient to rest at once. Tomorrow we can see what can be done for him.”
| Lizabetha Prokofievna received confirmatory news from the princess--and alas, two months after the prince’s first departure from St. Petersburg, darkness and mystery once more enveloped his whereabouts and actions, and in the Epanchin family the ice of silence once more formed over the subject. Varia, however, informed the girls of what had happened, she having received the news from Ptitsin, who generally knew more than most people. |
The prince reddened slightly.
The day after these scandalous events, however, the prince had the honour of receiving a visit from Adelaida and her fiance, Prince S. They came, ostensibly, to inquire after his health. They had wandered out for a walk, and called in “by accident,” and talked for almost the whole of the time they were with him about a certain most lovely tree in the park, which Adelaida had set her heart upon for a picture. This, and a little amiable conversation on Prince S.’s part, occupied the time, and not a word was said about last evening’s episodes. At length Adelaida burst out laughing, apologized, and explained that they had come incognito; from which, and from the circumstance that they said nothing about the prince’s either walking back with them or coming to see them later on, the latter inferred that he was in Mrs. Epanchin’s black books. Adelaida mentioned a watercolour that she would much like to show him, and explained that she would either send it by Colia, or bring it herself the next day--which to the prince seemed very suggestive.
The announcement of his name gave rise to some surprise and to some smiles, especially when it became evident, from Nastasia’s astonished look, that she had not thought of inviting him. But her astonishment once over, Nastasia showed such satisfaction that all prepared to greet the prince with cordial smiles of welcome.
“I’ve covered her with oilcloth--best American oilcloth, and put the sheet over that, and four jars of disinfectant, on account of the smell--as they did at Moscow--you remember? And she’s lying so still; you shall see, in the morning, when it’s light. What! can’t you get up?” asked Rogojin, seeing the other was trembling so that he could not rise from his seat.
At this idea, he burst out laughing all at once, in quite unaffected mirth, and without giving any explanation.
Aglaya did not so much as glance at the new arrivals, but went on with her recitation, gazing at the prince the while in an affected manner, and at him alone. It was clear to him that she was doing all this with some special object.
| “Nonsense!” said the prince, angrily, turning round upon him. |
The lady of the house appeared to be a woman of about fifty years of age, thin-faced, and with black lines under the eyes. She looked ill and rather sad; but her face was a pleasant one for all that; and from the first word that fell from her lips, any stranger would at once conclude that she was of a serious and particularly sincere nature. In spite of her sorrowful expression, she gave the idea of possessing considerable firmness and decision.
Nastasia Philipovna was ready. She rose from her seat, looked into the glass and remarked, as Keller told the tale afterwards, that she was “as pale as a corpse.” She then bent her head reverently, before the ikon in the corner, and left the room.
Gania began, but did not finish. The two--father and son--stood before one another, both unspeakably agitated, especially Gania.
“Dear me--is it possible?” observed the clerk, while his face assumed an expression of great deference and servility--if not of absolute alarm: “what, a son of that very Semen Rogojin--hereditary honourable citizen--who died a month or so ago and left two million and a half of roubles?”
He could not help observing the excited and agitated condition of all members of the family, and from certain hints dropped in conversation he gathered that they were all anxious as to the impression he should make upon the princess. But the Epanchins, one and all, believed that Muishkin, in his simplicity of mind, was quite incapable of realizing that they could be feeling any anxiety on his account, and for this reason they all looked at him with dread and uneasiness.
“But--but, why is this? What does it mean?”
“I am not surprised at that. After what you... But I do hate that way of looking at things! Because some fool, or a rogue pretending to be a fool, strikes a man, that man is to be dishonoured for his whole life, unless he wipes out the disgrace with blood, or makes his assailant beg forgiveness on his knees! I think that so very absurd and tyrannical. Lermontoff’s Bal Masque is based on that idea--a stupid and unnatural one, in my opinion; but he was hardly more than a child when he wrote it.”