“He’s fainted!” the cry went round.
“Well, he may have gone out. I can’t tell. Sometimes he takes the keys with him, and leaves the rooms empty for two or three days.”
VIII.

“Oh, what _nonsense!_ You must buy one. French or English are the best, they say. Then take a little powder, about a thimbleful, or perhaps two, and pour it into the barrel. Better put plenty. Then push in a bit of felt (it _must_ be felt, for some reason or other); you can easily get a bit off some old mattress, or off a door; it’s used to keep the cold out. Well, when you have pushed the felt down, put the bullet in; do you hear now? The bullet last and the powder first, not the other way, or the pistol won’t shoot. What are you laughing at? I wish you to buy a pistol and practise every day, and you must learn to hit a mark for _certain_; will you?”

“H’m! very well, Daria Alexeyevna; you have not stolen anything--agreed. But how about the prince, now--look how he is blushing!”
“You want to take advantage of my position, now that I am in your house,” continued Aglaya, awkwardly.
“I know that there were just as many, and just as terrible, crimes before our times. Not long since I visited a convict prison and made acquaintance with some of the criminals. There were some even more dreadful criminals than this one we have been speaking of--men who have murdered a dozen of their fellow-creatures, and feel no remorse whatever. But what I especially noticed was this, that the very most hopeless and remorseless murderer--however hardened a criminal he may be--still _knows that he is a criminal_; that is, he is conscious that he has acted wickedly, though he may feel no remorse whatever. And they were all like this. Those of whom Evgenie Pavlovitch has spoken, do not admit that they are criminals at all; they think they had a right to do what they did, and that they were even doing a good deed, perhaps. I consider there is the greatest difference between the two cases. And recollect--it was a _youth_, at the particular age which is most helplessly susceptible to the distortion of ideas!” “Prince, mother begs you to come to her,” said Colia, appearing at the door.

“Yes, my boy. I wish to present him: General Ivolgin and Prince Muishkin! But what’s the matter?... what?... How is Marfa Borisovna?”

“Oh, but think how delightful to hear how one’s friends lie! Besides you needn’t be afraid, Gania; everybody knows what your worst action is without the need of any lying on your part. Only think, gentlemen,”--and Ferdishenko here grew quite enthusiastic, “only think with what eyes we shall observe one another tomorrow, after our tales have been told!”

“Quick--come along!” she cried, breathless with agitation and impatience. “Come along with me this moment!”
He was panting with ecstasy. He walked round and round Nastasia Philipovna and told everybody to “keep their distance.”

“Imagine, my dear,” cried the general, “it turns out that I have nursed the prince on my knee in the old days.” His wife looked searchingly at him, and glanced at the prince, but said nothing. The prince rose and followed her; but hardly had they reached the drawing-room, and Nina Alexandrovna had begun to talk hurriedly, when in came the general. She immediately relapsed into silence. The master of the house may have observed this, but at all events he did not take any notice of it; he was in high good humour.

To Nastasia’s question as to what they wished her to do, Totski confessed that he had been so frightened by her, five years ago, that he could never now be entirely comfortable until she herself married. He immediately added that such a suggestion from him would, of course, be absurd, unless accompanied by remarks of a more pointed nature. He very well knew, he said, that a certain young gentleman of good family, namely, Gavrila Ardalionovitch Ivolgin, with whom she was acquainted, and whom she received at her house, had long loved her passionately, and would give his life for some response from her. The young fellow had confessed this love of his to him (Totski) and had also admitted it in the hearing of his benefactor, General Epanchin. Lastly, he could not help being of opinion that Nastasia must be aware of Gania’s love for her, and if he (Totski) mistook not, she had looked with some favour upon it, being often lonely, and rather tired of her present life. Having remarked how difficult it was for him, of all people, to speak to her of these matters, Totski concluded by saying that he trusted Nastasia Philipovna would not look with contempt upon him if he now expressed his sincere desire to guarantee her future by a gift of seventy-five thousand roubles. He added that the sum would have been left her all the same in his will, and that therefore she must not consider the gift as in any way an indemnification to her for anything, but that there was no reason, after all, why a man should not be allowed to entertain a natural desire to lighten his conscience, etc., etc.; in fact, all that would naturally be said under the circumstances. Totski was very eloquent all through, and, in conclusion, just touched on the fact that not a soul in the world, not even General Epanchin, had ever heard a word about the above seventy-five thousand roubles, and that this was the first time he had ever given expression to his intentions in respect to them.
In the first place, this new woman understood a good deal more than was usual for young people of her age; so much indeed, that Totski could not help wondering where she had picked up her knowledge. Surely not from her “young lady’s library”? It even embraced legal matters, and the “world” in general, to a considerable extent.
The prince noticed the sweet, welcoming look on Vera Lebedeff’s face, as she made her way towards him through the crowd. He held out his hand to her. She took it, blushing with delight, and wished him “a happy life from that day forward.” Then she ran off to the kitchen, where her presence was necessary to help in the preparations for supper. Before the prince’s arrival she had spent some time on the terrace, listening eagerly to the conversation, though the visitors, mostly under the influence of wine, were discussing abstract subjects far beyond her comprehension. In the next room her younger sister lay on a wooden chest, sound asleep, with her mouth wide open; but the boy, Lebedeff’s son, had taken up his position close beside Colia and Hippolyte, his face lit up with interest in the conversation of his father and the rest, to which he would willingly have listened for ten hours at a stretch.
“H’m--well, at all events, I shouldn’t have fallen asleep here, in your place. It wasn’t nice of you, that. I suppose you fall asleep wherever you sit down?” “Yes.”
“If that is the case, why did you begin by making such a fuss about it?” asked the astonished prince.
“Very well, gentlemen--very well,” replied the prince. “At first I received the news with mistrust, then I said to myself that I might be mistaken, and that Pavlicheff might possibly have had a son. But I was absolutely amazed at the readiness with which the son had revealed the secret of his birth at the expense of his mother’s honour. For Tchebaroff had already menaced me with publicity in our interview....”
“Why, he wears an ‘order,’ and it looks so well!”

“I like looking at that picture,” muttered Rogojin, not noticing, apparently, that the prince had not answered his question.

“Come, come! the less _you_ say about it the better--to judge from all I have heard about you!” replied Mrs. Epanchin.

“Just so,” said Lebedeff, with dignity; “and only this very morning I have sent up a letter to the noble lady, stating that I have a matter of great importance to communicate. She received the letter; I know she got it; and she received _me_, too.”

“And would you marry a woman like that, now?” continued Gania, never taking his excited eyes off the prince’s face.

He sat down with these words, evidently intending to prolong his visit.

There were a few seconds of dead silence.

He seemed to feel warmly and deeply grateful to someone for something or other--perhaps to Ivan Petrovitch; but likely enough to all the guests, individually, and collectively. He was much too happy.

Rogojin listened to the end, and then burst out laughing:

“What? Gavrila Ardalionovitch? Oh no; he belongs to one of the companies. Look here, at all events put your bundle down, here.” Nature loves and favours such people. Ptitsin will certainly have his reward, not three houses, but four, precisely because from childhood up he had realized that he would never be a Rothschild. That will be the limit of Ptitsin’s fortune, and, come what may, he will never have more than four houses.

“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.

“Nonsense, what rubbish you talk!” the mother struck in. “Not know how to see! Open your eyes and look! If you can’t see here, you won’t see abroad either. Tell us what you saw yourself, prince!”

“Look to the right!”

She arranged her daughter’s hair, which was not in the least disordered, and gave her a kiss. This was all that she had called her for.