“Oh well, very little business. There is one little matter--some advice I am going to ask him for; but my principal object is simply to introduce myself, because I am Princ

Colia had made it up with the prince before his father’s death, and it was he who urged him to make use of Keller and Burdovsky, promising to answer himself for the former’s behaviour. Nina Alexandrovna and Lebedeff tried to persuade him to have the wedding in St. Petersburg, instead of in the public fashion contemplated, down here at Pavlofsk in the height of the season. But the prince only said that Nastasia Philipovna desired to have it so, though he saw well enough what prompted their arguments.

“No. I was only going to say that what surprises me most of all is your extraordinary confidence.”

“Quite so, quite so; and he swears that his wife never found out that one of his legs was wooden all the while they were married. When I showed him the ridiculousness of all this, he said, ‘Well, if you were one of Napoleon’s pages in 1812, you might let me bury my leg in the Moscow cemetery.’ ”

But the noise came rapidly nearer, the door burst open, and old General Ivolgin, raging, furious, purple-faced, and trembling with anger, rushed in. He was followed by Nina Alexandrovna, Colia, and behind the rest, Hippolyte.

IV.

“Surely you see that I am not laughing,” said Nastasia, sadly and sternly.

“None of us ever thought such a thing!” Muishkin replied for all. “Why should you suppose it of us? And what are you going to read, Hippolyte? What is it?”

“Be quiet, do be quiet!”

“Here you all are,” began the prince, “settling yourselves down to listen to me with so much curiosity, that if I do not satisfy you you will probably be angry with me. No, no! I’m only joking!” he added, hastily, with a smile.

“Papa, how can you?” cried Adelaida, walking quickly up to the prince and holding out her hand.

“I know you asked. I told them that she had called in for ten minutes, and then gone straight back to Pavlofsk. No one knows she slept here. Last night we came in just as carefully as you and I did today. I thought as I came along with her that she would not like to creep in so secretly, but I was quite wrong. She whispered, and walked on tip-toe; she carried her skirt over her arm, so that it shouldn’t rustle, and she held up her finger at me on the stairs, so that I shouldn’t make a noise--it was you she was afraid of. She was mad with terror in the train, and she begged me to bring her to this house. I thought of taking her to her rooms at the Ismailofsky barracks first; but she wouldn’t hear of it. She said, ‘No--not there; he’ll find me out at once there. Take me to your own house, where you can hide me, and tomorrow we’ll set off for Moscow.’ Thence she would go to Orel, she said. When she went to bed, she was still talking about going to Orel.”

“You wouldn’t believe how you have pained and astonished me,” cried the prince.

“Why, did you say--” began the prince, and paused in confusion.

“What, has she been here?” asked the prince with curiosity.

She put her questions very quickly and talked fast, every now and then forgetting what she had begun to say, and not finishing her sentence. She seemed to be impatient to warn the prince about something or other. She was in a state of unusual excitement, and though she put on a brave and even defiant air, she seemed to be rather alarmed. She was dressed very simply, but this suited her well. She continually trembled and blushed, and she sat on the very edge of the seat.

“Yes.”

“But what a pretty girl! Who is she?”

“Do you like the position of it? Sometimes of a morning early, at seven o’clock, when all the rest are still asleep, I come out and sit there alone.”

“Are you about to take a wife? I ask,--if you prefer that expression.”

“That is, by contending that it is not a sight for women they admit that it is a sight for men. I congratulate them on the deduction. I suppose you quite agree with them, prince?”

“In the first place, that is a considerable admission, and in the second place, one of the above was a peasant, and the other two were both landed proprietors!”

“You should go into the country,” said Lebedeff timidly.

But the new guests at least somewhat eased his strained and uncomfortable position. Seeing them approaching, he rose from his chair, and nodding amicably to the general, signed to him not to interrupt the recitation. He then got behind his chair, and stood there with his left hand resting on the back of it. Thanks to this change of position, he was able to listen to the ballad with far less embarrassment than before. Mrs. Epanchin had also twice motioned to the new arrivals to be quiet, and stay where they were.

“I was there,” said Rogojin, unexpectedly. “Come along.” The prince was surprised at this answer; but his astonishment increased a couple of minutes afterwards, when he began to consider it. Having thought it over, he glanced at Rogojin in alarm. The latter was striding along a yard or so ahead, looking straight in front of him, and mechanically making way for anyone he met.

“I was strict, but just by nature. At that time we were stationed in a small town. I was quartered at an old widow’s house, a lieutenant’s widow of eighty years of age. She lived in a wretched little wooden house, and had not even a servant, so poor was she.

But now another circumstance occurred, which changed all the plans once more, and again the intended journey was put off, much to the delight of the general and his spouse.

“But what on earth did she mean? I assure you it is a real riddle to me--to me, and to others, too!” Prince S. seemed to be under the influence of sincere astonishment.

When the widow hurried away to Pavlofsk, she went straight to Daria Alexeyevna’s house, and telling all she knew, threw her into a state of great alarm. Both ladies decided to communicate at once with Lebedeff, who, as the friend and landlord of the prince, was also much agitated. Vera Lebedeff told all she knew, and by Lebedeff’s advice it was decided that all three should go to Petersburg as quickly as possible, in order to avert “what might so easily happen.”

He crossed the salon and the entrance-hall, so as to pass down the corridor into his own room. As he came near the front door he heard someone outside vainly endeavouring to ring the bell, which was evidently broken, and only shook a little, without emitting any sound.

“I think I understand, Lukian Timofeyovitch: you were not sure that I should come. You did not think I should start at the first word from you, and you merely wrote to relieve your conscience. However, you see now that I have come, and I have had enough of trickery. Give up serving, or trying to serve, two masters. Rogojin has been here these three weeks. Have you managed to sell her to him as you did before? Tell me the truth.”

“The bullet struck so low down that probably his antagonist would never have aimed at that part of him--people never do; he would have aimed at his chest or head; so that probably the bullet hit him accidentally. I have been told this by competent authorities.”

“‘Gracious Heaven!’ he cried, ‘all our papers are in it! My dear sir, you little know what you have done for us. I should have been lost--lost!’

His first word was to inquire after Evgenie Pavlovitch. But Lizabetha stalked past him, and neither looked at him nor answered his question.

“Oh well; I caught it quite hot enough today, thanks to you. However, I forgive you.”

“It was engineered by other people, and is, properly speaking, rather a fantasy than an intrigue!”

But it was more serious than he wished to think. As soon as the visitors had crossed the low dark hall, and entered the narrow reception-room, furnished with half a dozen cane chairs, and two small card-tables, Madame Terentieff, in the shrill tones habitual to her, continued her stream of invectives.

“I thought” he stammered, making for the door.

The prince rose and began to speak in a trembling, timid tone, but with the air of a man absolutely sure of the truth of his words.

“I sometimes think of coming over to you again,” said Hippolyte, carelessly. “So you _don’t_ think them capable of inviting a man on the condition that he is to look sharp and die?”

“Ah!” she added, as Gania suddenly entered the room, “here’s another marrying subject. How do you do?” she continued, in response to Gania’s bow; but she did not invite him to sit down. “You are going to be married?”

In the first place he began about some letter; the name of Aglaya Ivanovna came in. Then suddenly he broke off and began to accuse the prince of something; he was apparently offended with him. At first he declared that the prince had trusted him with his confidences as to “a certain person” (Nastasia Philipovna), but that of late his friendship had been thrust back into his bosom, and his innocent question as to “approaching family changes” had been curtly put aside, which Lebedeff declared, with tipsy tears, he could not bear; especially as he knew so much already both from Rogojin and Nastasia Philipovna and her friend, and from Varvara Ardalionovna, and even from Aglaya Ivanovna, through his daughter Vera. “And who told Lizabetha Prokofievna something in secret, by letter? Who told her all about the movements of a certain person called Nastasia Philipovna? Who was the anonymous person, eh? Tell me!”

These words caused a sensation among the listeners, and there was a general movement of relief. Burdovsky got up abruptly.

“I must see it!” cried Mrs. Epanchin. “Where is the portrait? If she gave it to him, he must have it; and he is still in the study. He never leaves before four o’clock on Wednesdays. Send for Gavrila Ardalionovitch at once. No, I don’t long to see _him_ so much. Look here, dear prince, _be_ so kind, will you? Just step to the study and fetch this portrait! Say we want to look at it. Please do this for me, will you?” “Then how Schneider told me about my childish nature, and--”

“I assure you this business left me no peace for many a long year. Why did I do it? I was not in love with her myself; I’m afraid it was simply mischief--pure ‘cussedness’ on my part.

He could bear it no longer, and with a look of entreaty, mingled with reproach, he addressed Aglaya, pointing to Nastasia the while:

Lebedeff clasped his hands once more.

“How so? What in?”

“Full of love for that sweet vision, Brave and pure he took the field; With his blood he stained the letters N. P. B. upon his shield.

“You were right, Totski,” said Nastasia, “it is a dull game and a stupid one. I’ll just tell my story, as I promised, and then we’ll play cards.”

“Oh, Lebedeff, don’t, don’t make any scandal about it!” said the prince, much agitated, and speaking in a low voice. “Twenty-six.”

XI.

“Ha, ha, ha!” she cried, “this is an unexpected climax, after all. I didn’t expect this. What are you all standing up for, gentlemen? Sit down; congratulate me and the prince! Ferdishenko, just step out and order some more champagne, will you? Katia, Pasha,” she added suddenly, seeing the servants at the door, “come here! I’m going to be married, did you hear? To the prince. He has a million and a half of roubles; he is Prince Muishkin, and has asked me to marry him. Here, prince, come and sit by me; and here comes the wine. Now then, ladies and gentlemen, where are your congratulations?”

Colia jogged the prince’s arm.

“Look here, Lef Nicolaievitch, you go straight on to the house; I shall walk on the other side. See that we keep together.”

“What is it then, for goodness’ sake?”

“We demand, we demand, we demand, we do not beseech,” spluttered Burdovsky, red as a lobster.

“‘Tis he, ‘tis he!” he said at last, quietly, but with much solemnity. “As though he were alive once more. I heard the familiar name--the dear familiar name--and, oh! how it reminded me of the irrevocable past--Prince Muishkin, I believe?”

“What’s up with you this morning, Lebedeff? You look so important and dignified, and you choose your words so carefully,” said the prince, smiling.

The warning was certainly unnecessary; for the prince would not have said a word all the rest of the time whether forbidden to speak or not. His heart beat loud and painfully when Aglaya spoke of the bench; could she--but no! he banished the thought, after an instant’s deliberation.

“Lizabetha Prokofievna is in a really fiendish temper today,” she added, as she went out, “but the most curious thing is that Aglaya has quarrelled with her whole family; not only with her father and mother, but with her sisters also. It is not a good sign.” She said all this quite casually, though it was extremely important in the eyes of the prince, and went off with her brother. Regarding the episode of “Pavlicheff’s son,” Gania had been absolutely silent, partly from a kind of false modesty, partly, perhaps, to “spare the prince’s feelings.” The latter, however, thanked him again for the trouble he had taken in the affair. “It only remains for me, then, to thank Nastasia Philipovna for the great delicacy with which she has treated me,” said Gania, as pale as death, and with quivering lips. “That is my plain duty, of course; but the prince--what has he to do in the matter?” “You are going to Pavlofsk too?” asked the prince sharply. “Everybody seems to be going there. Have you a house in that neighbourhood?”

“I hardly knew him; he is much changed, and for the better!”

“Then I will never speak to you again.” She made a sudden movement to go, and then turned quickly back. “And you will call on that atheist?” she continued, pointing to Hippolyte. “How dare you grin at me like that?” she shouted furiously, rushing at the invalid, whose mocking smile drove her to distraction.

“Oh! no, no!” said Lebedeff, hurriedly.

She gazed thirstily at him and clutched his hands.

The prince muttered something, blushed, and jumped up; but Aglaya immediately sat down beside him; so he reseated himself.

“Do you know this for certain?” asked Evgenie, with the greatest curiosity.

“It was you,” he murmured, almost in a whisper, but with absolute conviction. “Yes, it was you who came to my room and sat silently on a chair at my window for a whole hour--more! It was between one and two at night; you rose and went out at about three. It was you, you! Why you should have frightened me so, why you should have wished to torment me like that, I cannot tell--but you it was.”

“Well, then--they were all children there, and I was always among children and only with children. They were the children of the village in which I lived, and they went to the school there--all of them. I did not teach them, oh no; there was a master for that, one Jules Thibaut. I may have taught them some things, but I was among them just as an outsider, and I passed all four years of my life there among them. I wished for nothing better; I used to tell them everything and hid nothing from them. Their fathers and relations were very angry with me, because the children could do nothing without me at last, and used to throng after me at all times. The schoolmaster was my greatest enemy in the end! I had many enemies, and all because of the children. Even Schneider reproached me. What were they afraid of? One can tell a child everything, anything. I have often been struck by the fact that parents know their children so little. They should not conceal so much from them. How well even little children understand that their parents conceal things from them, because they consider them too young to understand! Children are capable of giving advice in the most important matters. How can one deceive these dear little birds, when they look at one so sweetly and confidingly? I call them birds because there is nothing in the world better than birds!

The prince took it from her hand, but gazed at her in bewilderment.

“You call him a monster so often that it makes me suspicious.”

“Why don’t you say something?” cried Lizabetha Prokofievna, stamping her foot.

This gentleman was a confidant of Evgenie’s, and had doubtless heard of the carriage episode.

He caught his breath, and began to cough once more.

“Won’t you leave the room, mamma?” asked Varia, aloud.

“No, no I--I--no!” said Gania, bringing out his lie with a tell-tale blush of shame. He glanced keenly at Aglaya, who was sitting some way off, and dropped his eyes immediately.

“A refined man, but--lost,” murmured the general.

“As a curiosity,” suggested Evgenie Pavlovitch, seeing his excellency involved in a comparison which he could not complete.

“Very likely. So he wrote that you were to bring me a copy of his confession, did he? Why didn’t you bring it?” “If you,” he said, addressing Burdovsky--“if you prefer not to speak here, I offer again to go into another room with you... and as to your waiting to see me, I repeat that I only this instant heard...”

“An idiot!”

“You are mad!” said Ptitsin, coming up quickly and seizing him by the hand. “You’re drunk--the police will be sent for if you don’t look out. Think where you are.” “Do you know that I came here to see those trees?” pointing to the trees in the park. “It is not ridiculous, is it? Say that it is not ridiculous!” he demanded urgently of Lizabetha Prokofievna. Then he seemed to be plunged in thought. A moment later he raised his head, and his eyes sought for someone. He was looking for Evgenie Pavlovitch, who was close by on his right as before, but he had forgotten this, and his eyes ranged over the assembled company. “Ah! you have not gone!” he said, when he caught sight of him at last. “You kept on laughing just now, because I thought of speaking to the people from the window for a quarter of an hour. But I am not eighteen, you know; lying on that bed, and looking out of that window, I have thought of all sorts of things for such a long time that... a dead man has no age, you know. I was saying that to myself only last week, when I was awake in the night. Do you know what you fear most? You fear our sincerity more than anything, although you despise us! The idea crossed my mind that night... You thought I was making fun of you just now, Lizabetha Prokofievna? No, the idea of mockery was far from me; I only meant to praise you. Colia told me the prince called you a child--very well--but let me see, I had something else to say...” He covered his face with his hands and tried to collect his thoughts. “Prince,” he said, “I am just going home. If you have not changed your mind as to living with us, perhaps you would like to come with me. You don’t know the address, I believe?”

He rushed like a whirlwind from the room, and Muishkin looked inquiringly at the others.

“At last he began to mount the steps; his legs were tied, so that he had to take very small steps. The priest, who seemed to be a wise man, had stopped talking now, and only held the cross for the wretched fellow to kiss. At the foot of the ladder he had been pale enough; but when he set foot on the scaffold at the top, his face suddenly became the colour of paper, positively like white notepaper. His legs must have become suddenly feeble and helpless, and he felt a choking in his throat--you know the sudden feeling one has in moments of terrible fear, when one does not lose one’s wits, but is absolutely powerless to move? If some dreadful thing were suddenly to happen; if a house were just about to fall on one;--don’t you know how one would long to sit down and shut one’s eyes and wait, and wait? Well, when this terrible feeling came over him, the priest quickly pressed the cross to his lips, without a word--a little silver cross it was--and he kept on pressing it to the man’s lips every second. And whenever the cross touched his lips, the eyes would open for a moment, and the legs moved once, and he kissed the cross greedily, hurriedly--just as though he were anxious to catch hold of something in case of its being useful to him afterwards, though he could hardly have had any connected religious thoughts at the time. And so up to the very block.

“Yes, I’m at home. Where else should I go to?”

This good flunkey, in spite of his conscientious scruples, really could not resist continuing such a very genteel and agreeable conversation.

“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion.

But the father of the family was out in the road already. Colia was carrying his bag for him; Nina Alexandrovna stood and cried on the doorstep; she wanted to run after the general, but Ptitsin kept her back.

“What are you staring at me like that for?” he muttered. “Sit down.”

“It’s a funny notion,” said Totski, “and yet quite natural--it’s only a new way of boasting.”

All we know is, that the marriage really was arranged, and that the prince had commissioned Lebedeff and Keller to look after all the necessary business connected with it; that he had requested them to spare no expense; that Nastasia herself was hurrying on the wedding; that Keller was to be the prince’s best man, at his own earnest request; and that Burdovsky was to give Nastasia away, to his great delight. The wedding was to take place before the middle of July.