| “Well, let me get my hat, at least.” |
| “No, sir, I do not exaggerate, I understate the matter, if anything, undoubtedly understate it; simply because I cannot express myself as I should like, but--” |
| “That will do. I can find out for myself. Only tell me, where is she now? At his house? With him?” |
| We said at the beginning of our story, that the Epanchins were liked and esteemed by their neighbours. In spite of his humble origin, Ivan Fedorovitch himself was received everywhere with respect. He deserved this, partly on account of his wealth and position, partly because, though limited, he was really a very good fellow. But a certain limitation of mind seems to be an indispensable asset, if not to all public personages, at least to all serious financiers. Added to this, his manner was modest and unassuming; he knew when to be silent, yet never allowed himself to be trampled upon. Also--and this was more important than all--he had the advantage of being under exalted patronage. |
“GAVRILA ARDOLIONOVITCH,--persuaded of your kindness of heart, I have determined to ask your advice on a matter of great importance to myself. I should like to meet you tomorrow morning at seven o’clock by the green bench in the park. It is not far from our house. Varvara Ardalionovna, who must accompany you, knows the place well.
“With the greatest respect... and... and veneration,” replied Lebedeff, making extraordinary grimaces.
“Naturally, all this--”
“Oh dear no, it’s all a joke. No more cousin than I am.”| Her eyes were aglow with inspiration, and a slight tremor of rapture passed over her lovely features once or twice. She continued to recite: |
“As for you, sir,” he cried, “you should at least remember that you are in a strange house and--receiving hospitality; you should not take the opportunity of tormenting an old man, sir, who is too evidently out of his mind.”
| “Who, in the name of what Law, would think of disputing my full personal right over the fortnight of life left to me? What jurisdiction can be brought to bear upon the case? Who would wish me, not only to be sentenced, but to endure the sentence to the end? Surely there exists no man who would wish such a thing--why should anyone desire it? For the sake of morality? Well, I can understand that if I were to make an attempt upon my own life while in the enjoyment of full health and vigour--my life which might have been ‘useful,’ etc., etc.--morality might reproach me, according to the old routine, for disposing of my life without permission--or whatever its tenet may be. But now, _now_, when my sentence is out and my days numbered! How can morality have need of my last breaths, and why should I die listening to the consolations offered by the prince, who, without doubt, would not omit to demonstrate that death is actually a benefactor to me? (Christians like him always end up with that--it is their pet theory.) And what do they want with their ridiculous ‘Pavlofsk trees’? To sweeten my last hours? Cannot they understand that the more I forget myself, the more I let myself become attached to these last illusions of life and love, by means of which they try to hide from me Meyer’s wall, and all that is so plainly written on it--the more unhappy they make me? What is the use of all your nature to me--all your parks and trees, your sunsets and sunrises, your blue skies and your self-satisfied faces--when all this wealth of beauty and happiness begins with the fact that it accounts me--only me--one too many! What is the good of all this beauty and glory to me, when every second, every moment, I cannot but be aware that this little fly which buzzes around my head in the sun’s rays--even this little fly is a sharer and participator in all the glory of the universe, and knows its place and is happy in it;--while I--only I, am an outcast, and have been blind to the fact hitherto, thanks to my simplicity! Oh! I know well how the prince and others would like me, instead of indulging in all these wicked words of my own, to sing, to the glory and triumph of morality, that well-known verse of Gilbert’s: |
“Well, well! Enough! You’ve pitied me, and that’s all that good manners exact. I forgot, how are you?”
“But if you... I could...” stammered Lebedeff, “if... if you please, prince, tell you something on the subject which would interest you, I am sure.” He spoke in wheedling tones, and wriggled as he walked along.
“Come back, father; the neighbours will hear!” cried Varia.“I don’t quite know. Your house has the aspect of yourself and all your family; it bears the stamp of the Rogojin life; but ask me why I think so, and I can tell you nothing. It is nonsense, of course. I am nervous about this kind of thing troubling me so much. I had never before imagined what sort of a house you would live in, and yet no sooner did I set eyes on this one than I said to myself that it must be yours.”
“Did not you ask me the question seriously” inquired the prince, in amazement.
| “Oh dear no! Why--” |
| “Because I know all, all--and that is why I speak so. I know very well how you--half a year since--offered her your hand before everybody. Don’t interrupt me. You see, I am merely stating facts without any comment upon them. After that she ran away with Rogojin. Then you lived with her at some village or town, and she ran away from you.” (Aglaya blushed dreadfully.) “Then she returned to Rogojin again, who loves her like a madman. Then you--like a wise man as you are--came back here after her as soon as ever you heard that she had returned to Petersburg. Yesterday evening you sprang forward to protect her, and just now you dreamed about her. You see, I know all. You did come back here for her, for her--now didn’t you?” |
The occurrence at the Vauxhall had filled both mother and daughters with something like horror. In their excitement Lizabetha Prokofievna and the girls were nearly running all the way home.
“Never mind!” she laughed, “but why didn’t you come earlier? Perhaps you were expected!”
“I know that, father. Look here, dear old father, come back home! Let’s go back to mother. Look, she ran after us when we came out. What have you stopped her for, just as though you didn’t take in what I said? Why are you crying, father?”
“An idiot!”
| “You there, Gania?” cried a voice from the study, “come in here, will you?” |
Having placed this before her, he stood with drooped arms and head, as though awaiting his sentence.
| And it was at this moment that General Epanchin began to play so large and important a part in the story. |
| “That they do _not_ know about it in the house is quite certain, the rest of them, I mean; but you have given me an idea. Aglaya perhaps knows. She alone, though, if anyone; for the sisters were as astonished as I was to hear her speak so seriously. If she knows, the prince must have told her.” |
“Yes, that’s the chief thing,” said Gania, helping the general out of his difficulties again, and curling his lips in an envenomed smile, which he did not attempt to conceal. He gazed with his fevered eyes straight into those of the general, as though he were anxious that the latter might read his thoughts.
The prince took it from her hand, but gazed at her in bewilderment.
| All laughed again. |
| “There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!” |
| “Is it jolly there?” |
“Abbot Pafnute,” said our friend, seriously and with deference.
“She is mad, insane--I assure you, she is mad,” replied the prince in trembling tones, holding out both his hands mechanically towards the officer.
| “Well, and did you like it very much? Was it very edifying and instructive?” asked Aglaya. |
| “No one ever tormented you on the subject,” murmured Adelaida, aghast. |
“Speak away, I am listening.”
“I only want to know, Mr. Hippolyte--excuse me, I forget your surname.”| At this they laughed heartily. |
| Lebedeff grimaced and wriggled again. |
| But he had hardly become conscious of this curious phenomenon, when another recollection suddenly swam through his brain, interesting him for the moment, exceedingly. He remembered that the last time he had been engaged in looking around him for the unknown something, he was standing before a cutler’s shop, in the window of which were exposed certain goods for sale. He was extremely anxious now to discover whether this shop and these goods really existed, or whether the whole thing had been a hallucination. |
Undoubtedly the fact that he might now come and see Aglaya as much as he pleased again was quite enough to make him perfectly happy; that he might come and speak to her, and see her, and sit by her, and walk with her--who knows, but that all this was quite enough to satisfy him for the whole of his life, and that he would desire no more to the end of time?
“I am off,” he said, hoarsely, and with difficulty.
The prince took a step forward--then another--and paused. He stood and stared for a minute or two. “I see what you are driving at,” said Nastasia Philipovna. “You imply that the prince is after the seventy-five thousand roubles--I quite understand you. Mr. Totski, I forgot to say, ‘Take your seventy-five thousand roubles’--I don’t want them. I let you go free for nothing--take your freedom! You must need it. Nine years and three months’ captivity is enough for anybody. Tomorrow I shall start afresh--today I am a free agent for the first time in my life.“You’ll take me as I am, with nothing?”
“Yes, I think so!” said Adelaida.
A few moments later, the prince was seated by Nastasia on the sofa, gazing into her eyes and stroking her face and hair, as he would a little child’s. He laughed when she laughed, and was ready to cry when she cried. He did not speak, but listened to her excited, disconnected chatter, hardly understanding a word of it the while. No sooner did he detect the slightest appearance of complaining, or weeping, or reproaching, than he would smile at her kindly, and begin stroking her hair and her cheeks, soothing and consoling her once more, as if she were a child.
| “Are you Prince Muishkin?” he asked, with the greatest courtesy and amiability. |
| “What! that I’ll cut her throat, you mean?” |
In vain the girls assured her that a man who had not written for six months would not be in such a dreadful hurry, and that probably he had enough to do in town without needing to bustle down to Pavlofsk to see them. Their mother was quite angry at the very idea of such a thing, and announced her absolute conviction that he would turn up the next day at latest.