The general interrupted once more with questions; while the prince again replied with the narrative we have heard before. It appeared that the general had known Pavlicheff; but why the latter had taken an interest in the prince, that young gentleman could not explain; probably by virtue of the old friendship with his father, he thought.

“No, it’s not a thing for women.”

“Do you know this for certain?” asked Evgenie, with the greatest curiosity.

The room they were now sitting in was a large one, lofty but dark, well furnished, principally with writing-tables and desks covered with papers and books. A wide sofa covered with red morocco evidently served Rogojin for a bed. On the table beside which the prince had been invited to seat himself lay some books; one containing a marker where the reader had left off, was a volume of Solovieff’s History. Some oil-paintings in worn gilded frames hung on the walls, but it was impossible to make out what subjects they represented, so blackened were they by smoke and age. One, a life-sized portrait, attracted the prince’s attention. It showed a man of about fifty, wearing a long riding-coat of German cut. He had two medals on his breast; his beard was white, short and thin; his face yellow and wrinkled, with a sly, suspicious expression in the eyes.

“What? Didn’t exist?” cried the poor general, and a deep blush suffused his face.

She said something, but he looked silently back at her. His heart ached with anguish. Oh! never would he banish the recollection of this meeting with her, and he never remembered it but with the same pain and agony of mind.
“She’s mad surely, isn’t she?” the general appealed to Totski.

“Pooh! he was a fool, and his actions were the actions of a fool,” said Mrs. Epanchin; “and as for you, young woman, you ought to know better. At all events, you are not to talk like that again. What poem is it? Recite it! I want to hear this poem! I have hated poetry all my life. Prince, you must excuse this nonsense. We neither of us like this sort of thing! Be patient!”

“That means that you have set Aglaya a riddle!” said Adelaida. “Guess it, Aglaya! But she’s pretty, prince, isn’t she?”

“Is it a note?”

“It is the _heart_ which is the best teacher of refinement and dignity, not the dancing-master,” said her mother, sententiously, and departed upstairs to her own room, not so much as glancing at Aglaya.

One of these incidents was a visit from Lebedeff. Lebedeff came rather early--before ten--but he was tipsy already. Though the prince was not in an observant condition, yet he could not avoid seeing that for at least three days--ever since General Ivolgin had left the house Lebedeff had been behaving very badly. He looked untidy and dirty at all times of the day, and it was said that he had begun to rage about in his own house, and that his temper was very bad. As soon as he arrived this morning, he began to hold forth, beating his breast and apparently blaming himself for something.

“I do so want to hear about it,” repeated Adelaida. “Came where? What do you mean?” asked Rogojin, amazed. But Hippolyte, panting and choking with excitement, interrupted him violently. In spite of the kindly-meant consolations of his new friends, the prince walked to his hotel in inexpressible anguish of spirit, through the hot, dusty streets, aimlessly staring at the faces of those who passed him. Arrived at his destination, he determined to rest awhile in his room before he started for Rogojin’s once more. He sat down, rested his elbows on the table and his head on his hands, and fell to thinking. “I expect he knows all about it!” thought the prince.

But these vulgarities seemed to please Nastasia Philipovna, although too often they were both rude and offensive. Those who wished to go to her house were forced to put up with Ferdishenko. Possibly the latter was not mistaken in imagining that he was received simply in order to annoy Totski, who disliked him extremely. Gania also was often made the butt of the jester’s sarcasms, who used this method of keeping in Nastasia Philipovna’s good graces.

“I should like you,” she said, “not to come here tomorrow until evening, when the guests are all assembled. You know there are to be guests, don’t you?”

“Why, did you say--” began the prince, and paused in confusion.

“I am aware that you sent your son to that house--he told me so himself just now, but what is this intrigue?” said the prince, impatiently.
“What on earth is one to make of a girl like that?” said Varia.
Of course, the last argument was the chief one. The maternal heart trembled with indignation to think of such an absurdity, although in that heart there rose another voice, which said: “And _why_ is not the prince such a husband as you would have desired for Aglaya?” It was this voice which annoyed Lizabetha Prokofievna more than anything else. “Quite fraternal--I look upon it as a joke. Let us be brothers-in-law, it is all the same to me,--rather an honour than not. But in spite of the two hundred guests and the thousandth anniversary of the Russian Empire, I can see that he is a very remarkable man. I am quite sincere. You said just now that I always looked as if I was going to tell you a secret; you are right. I have a secret to tell you: a certain person has just let me know that she is very anxious for a secret interview with you.”

“Now, Gania,” cried Varia, frightened, “we can’t let him go out! We can’t afford to have a breath of scandal about the town at this moment. Run after him and beg his pardon--quick.”

“I don’t understand you. How could he have me in view, and not be aware of it himself? And yet, I don’t know--perhaps I do. Do you know I have intended to poison myself at least thirty times--ever since I was thirteen or so--and to write to my parents before I did it? I used to think how nice it would be to lie in my coffin, and have them all weeping over me and saying it was all their fault for being so cruel, and all that--what are you smiling at?” she added, knitting her brow. “What do _you_ think of when you go mooning about alone? I suppose you imagine yourself a field-marshal, and think you have conquered Napoleon?”

“I think I understand, Lukian Timofeyovitch: you were not sure that I should come. You did not think I should start at the first word from you, and you merely wrote to relieve your conscience. However, you see now that I have come, and I have had enough of trickery. Give up serving, or trying to serve, two masters. Rogojin has been here these three weeks. Have you managed to sell her to him as you did before? Tell me the truth.”

Suddenly Gania approached our hero who was at the moment standing over Nastasia Philipovna’s portrait, gazing at it.

“But you must be mad! It is ridiculous! You should take care of yourself; what is the use of holding a conversation now? Go home to bed, do!” cried Mrs. Epanchin in horror.
“He won’t do any harm now; and--and don’t be too severe with him.”

Just then another person belonging to the household was seen at the back of the hall. It was a woman of some forty years, dressed in sombre colours, probably a housekeeper or a governess. Hearing the names she came forward with a look of suspicion on her face.

“Oh no, he didn’t! I asked him myself. He said that he had not lived a bit as he had intended, and had wasted many, and many a minute.”

“That’s what comes of telling the truth for once in one’s life!” said Lebedeff. “It reduced him to tears.”

Muishkin remembered the doctor’s visit quite well. He remembered that Lebedeff had said that he looked ill, and had better see a doctor; and although the prince scouted the idea, Lebedeff had turned up almost immediately with his old friend, explaining that they had just met at the bedside of Hippolyte, who was very ill, and that the doctor had something to tell the prince about the sick man.
“Yes--I do ask for it!” said the prince, more dead than alive now.

“How ‘as he did yesterday’? What do you mean? What did he do yesterday?” asked Gania, in alarm.

“Having now shown you that I am not quite such a fool as I look, and that I have to be fished for with a rod and line for a good long while before I am caught, I will proceed to explain why I specially wished to make your brother look a fool. That my motive power is hate, I do not attempt to conceal. I have felt that before dying (and I am dying, however much fatter I may appear to you), I must absolutely make a fool of, at least, one of that class of men which has dogged me all my life, which I hate so cordially, and which is so prominently represented by your much esteemed brother. I should not enjoy paradise nearly so much without having done this first. I hate you, Gavrila Ardalionovitch, solely (this may seem curious to you, but I repeat)--solely because you are the type, and incarnation, and head, and crown of the most impudent, the most self-satisfied, the most vulgar and detestable form of commonplaceness. You are ordinary of the ordinary; you have no chance of ever fathering the pettiest idea of your own. And yet you are as jealous and conceited as you can possibly be; you consider yourself a great genius; of this you are persuaded, although there are dark moments of doubt and rage, when even this fact seems uncertain. There are spots of darkness on your horizon, though they will disappear when you become completely stupid. But a long and chequered path lies before you, and of this I am glad. In the first place you will never gain a certain person.”
“Oh come! just as if you didn’t understand, Lukian Timofeyovitch! What are you up to? I can’t make you out! The money, the money, sir! The four hundred roubles that you lost that day. You came and told me about it one morning, and then went off to Petersburg. There, _now_ do you understand?”
“You are always preaching about resting; you are a regular nurse to me, prince. As soon as the sun begins to ‘resound’ in the sky--what poet said that? ‘The sun resounded in the sky.’ It is beautiful, though there’s no sense in it!--then we will go to bed. Lebedeff, tell me, is the sun the source of life? What does the source, or ‘spring,’ of life really mean in the Apocalypse? You have heard of the ‘Star that is called Wormwood,’ prince?”
“Very happy to meet him, I’m sure,” remarked the latter. “I remember Lef Nicolaievitch well. When General Epanchin introduced us just now, I recognized you at once, prince. You are very little changed, though I saw you last as a child of some ten or eleven years old. There was something in your features, I suppose, that--” “Very well--afterwards. You are always interrupting me. What woman was it you were dreaming about?”
There was nothing, however, of love-making in his talk. His ideas were all of the most serious kind; some were even mystical and profound.

“Aha! I think you are growing less cool, my friend, and are beginning to be a trifle surprised, aren’t you? I’m glad that you are not above ordinary human feelings, for once. I’ll console you a little now, after your consternation. See what I get for serving a young and high-souled maiden! This morning I received a slap in the face from the lady!”

Aglaya was silent a moment and then began again with evident dislike of her subject:
He broke off abruptly, and could not add another word. This was his one attempt to stop the mad child, and, after he had made it, he followed her as though he had no will of his own. Confused as his thoughts were, he was, nevertheless, capable of realizing the fact that if he did not go with her, she would go alone, and so he must go with her at all hazards. He guessed the strength of her determination; it was beyond him to check it.
“Nastasia Philipovna!” began the general, reproachfully. He was beginning to put his own interpretation on the affair.
“Shall I see you home?” asked the prince, rising from his seat, but suddenly stopping short as he remembered Aglaya’s prohibition against leaving the house. Hippolyte laughed.
“It’s quite new.”
To his consternation the good people at the lodgings had not only heard nothing of Nastasia, but all came out to look at him as if he were a marvel of some sort. The whole family, of all ages, surrounded him, and he was begged to enter. He guessed at once that they knew perfectly well who he was, and that yesterday ought to have been his wedding-day; and further that they were dying to ask about the wedding, and especially about why he should be here now, inquiring for the woman who in all reasonable human probability might have been expected to be with him in Pavlofsk.
He looked intently around him, and wondered why he had come here; he was very tired, so he approached the bench and sat down on it. Around him was profound silence; the music in the Vauxhall was over. The park seemed quite empty, though it was not, in reality, later than half-past eleven. It was a quiet, warm, clear night--a real Petersburg night of early June; but in the dense avenue, where he was sitting, it was almost pitch dark.
“Just now, I confess,” began the prince, with more animation, “when you asked me for a subject for a picture, I confess I had serious thoughts of giving you one. I thought of asking you to draw the face of a criminal, one minute before the fall of the guillotine, while the wretched man is still standing on the scaffold, preparatory to placing his neck on the block.”
“My conclusion is vast,” replied Lebedeff, in a voice like thunder. “Let us examine first the psychological and legal position of the criminal. We see that in spite of the difficulty of finding other food, the accused, or, as we may say, my client, has often during his peculiar life exhibited signs of repentance, and of wishing to give up this clerical diet. Incontrovertible facts prove this assertion. He has eaten five or six children, a relatively insignificant number, no doubt, but remarkable enough from another point of view. It is manifest that, pricked by remorse--for my client is religious, in his way, and has a conscience, as I shall prove later--and desiring to extenuate his sin as far as possible, he has tried six times at least to substitute lay nourishment for clerical. That this was merely an experiment we can hardly doubt: for if it had been only a question of gastronomic variety, six would have been too few; why only six? Why not thirty? But if we regard it as an experiment, inspired by the fear of committing new sacrilege, then this number six becomes intelligible. Six attempts to calm his remorse, and the pricking of his conscience, would amply suffice, for these attempts could scarcely have been happy ones. In my humble opinion, a child is too small; I should say, not sufficient; which would result in four or five times more lay children than monks being required in a given time. The sin, lessened on the one hand, would therefore be increased on the other, in quantity, not in quality. Please understand, gentlemen, that in reasoning thus, I am taking the point of view which might have been taken by a criminal of the middle ages. As for myself, a man of the late nineteenth century, I, of course, should reason differently; I say so plainly, and therefore you need not jeer at me nor mock me, gentlemen. As for you, general, it is still more unbecoming on your part. In the second place, and giving my own personal opinion, a child’s flesh is not a satisfying diet; it is too insipid, too sweet; and the criminal, in making these experiments, could have satisfied neither his conscience nor his appetite. I am about to conclude, gentlemen; and my conclusion contains a reply to one of the most important questions of that day and of our own! This criminal ended at last by denouncing himself to the clergy, and giving himself up to justice. We cannot but ask, remembering the penal system of that day, and the tortures that awaited him--the wheel, the stake, the fire!--we cannot but ask, I repeat, what induced him to accuse himself of this crime? Why did he not simply stop short at the number sixty, and keep his secret until his last breath? Why could he not simply leave the monks alone, and go into the desert to repent? Or why not become a monk himself? That is where the puzzle comes in! There must have been something stronger than the stake or the fire, or even than the habits of twenty years! There must have been an idea more powerful than all the calamities and sorrows of this world, famine or torture, leprosy or plague--an idea which entered into the heart, directed and enlarged the springs of life, and made even that hell supportable to humanity! Show me a force, a power like that, in this our century of vices and railways! I might say, perhaps, in our century of steamboats and railways, but I repeat in our century of vices and railways, because I am drunk but truthful! Show me a single idea which unites men nowadays with half the strength that it had in those centuries, and dare to maintain that the ‘springs of life’ have not been polluted and weakened beneath this ‘star,’ beneath this network in which men are entangled! Don’t talk to me about your prosperity, your riches, the rarity of famine, the rapidity of the means of transport! There is more of riches, but less of force. The idea uniting heart and soul to heart and soul exists no more. All is loose, soft, limp--we are all of us limp.... Enough, gentlemen! I have done. That is not the question. No, the question is now, excellency, I believe, to sit down to the banquet you are about to provide for us!”
“Yes, it’s quite true,” said Rogojin, frowning gloomily; “so Zaleshoff told me. I was walking about the Nefsky one fine day, prince, in my father’s old coat, when she suddenly came out of a shop and stepped into her carriage. I swear I was all of a blaze at once. Then I met Zaleshoff--looking like a hair-dresser’s assistant, got up as fine as I don’t know who, while I looked like a tinker. ‘Don’t flatter yourself, my boy,’ said he; ‘she’s not for such as you; she’s a princess, she is, and her name is Nastasia Philipovna Barashkoff, and she lives with Totski, who wishes to get rid of her because he’s growing rather old--fifty-five or so--and wants to marry a certain beauty, the loveliest woman in all Petersburg.’ And then he told me that I could see Nastasia Philipovna at the opera-house that evening, if I liked, and described which was her box. Well, I’d like to see my father allowing any of us to go to the theatre; he’d sooner have killed us, any day. However, I went for an hour or so and saw Nastasia Philipovna, and I never slept a wink all night after. Next morning my father happened to give me two government loan bonds to sell, worth nearly five thousand roubles each. ‘Sell them,’ said he, ‘and then take seven thousand five hundred roubles to the office, give them to the cashier, and bring me back the rest of the ten thousand, without looking in anywhere on the way; look sharp, I shall be waiting for you.’ Well, I sold the bonds, but I didn’t take the seven thousand roubles to the office; I went straight to the English shop and chose a pair of earrings, with a diamond the size of a nut in each. They cost four hundred roubles more than I had, so I gave my name, and they trusted me. With the earrings I went at once to Zaleshoff’s. ‘Come on!’ I said, ‘come on to Nastasia Philipovna’s,’ and off we went without more ado. I tell you I hadn’t a notion of what was about me or before me or below my feet all the way; I saw nothing whatever. We went straight into her drawing-room, and then she came out to us.

“She postponed the pleasure--I see--I quite understand!” said Hippolyte, hurriedly, as though he wished to banish the subject. “I hear--they tell me--that you read her all that nonsense aloud? Stupid bosh it was--written in delirium. And I can’t understand how anyone can be so--I won’t say _cruel_, because the word would be humiliating to myself, but we’ll say childishly vain and revengeful, as to _reproach_ me with this confession, and use it as a weapon against me. Don’t be afraid, I’m not referring to yourself.”