“Her happiness? Oh, no! I am only marrying her--well, because she wished it. It means nothing--it’s all the same. She would certainly have died. I see now that that marriage with Rogojin was an insane idea. I understand all now that I did not understand before; and, do you know, when those two stood opposite to one another, I could not bear Nastasia Philipovna’s face! You must know, Evgenie Pavlovitch, I have never told anyone before--not even Aglaya--that I cannot bear Nastasia Philipovna’s face.” (He lowered his voice mysteriously as he said this.) “You described that evening at Nastasia Philipovna’s (six months since) very accurately just now; but there is one thing which you did not mention, and of which you took no account, because you do not know. I mean her _face_--I looked at her face, you see. Even in the morning when I saw her portrait, I felt that I could not _bear_ to look at it. Now, there’s Vera Lebedeff, for instance, her eyes are quite different, you know. I’m _afraid_ of her face!” he added, with real alarm.

“Where’s your luggage?” he asked, as he led the prince away to his room.

“Yes, I do! I have only been one day in Russia, but I have heard of the great beauty!” And the prince proceeded to narrate his meeting with Rogojin in the train and the whole of the latter’s story.
Now, since Totski had, of late, been upon terms of great cordiality with Epanchin, which excellent relations were intensified by the fact that they were, so to speak, partners in several financial enterprises, it so happened that the former now put in a friendly request to the general for counsel with regard to the important step he meditated. Might he suggest, for instance, such a thing as a marriage between himself and one of the general’s daughters?
“Well, this strange circumstance--which I have described with so much detail--was the ultimate cause which led me to taking my final determination. So that no logic, or logical deductions, had anything to do with my resolve;--it was simply a matter of disgust.
“I think you might fairly remember that I was not in any way bound, I had no reason to be silent about that portrait. You never asked me not to mention it.”
Arrived at the rendezvous of the prince and her daughter, and hearing the strange words of the latter, Lizabetha Prokofievna had been dreadfully alarmed, for many reasons. However, now that she had dragged the prince home with her, she began to feel a little frightened at what she had undertaken. Why should not Aglaya meet the prince in the park and have a talk with him, even if such a meeting should be by appointment?
“Oh, I’m not rejecting her. I may have expressed myself badly, but I didn’t mean that.”

“I hinted nothing to him about my ‘final conviction,’ but it appeared to me that he had guessed it from my words. He remained silent--he is a terribly silent man. I remarked to him, as I rose to depart, that, in spite of the contrast and the wide differences between us two, les extremites se touchent [‘extremes meet,’ as I explained to him in Russian); so that maybe he was not so far from my final conviction as appeared.

“He discovered everything, the monster... himself......”
It is true that they used to sit in the little summer-house together for an hour or two at a time, very often, but it was observed that on these occasions the prince would read the paper, or some book, aloud to Aglaya.
“Hippolyte,” said the prince, “give me the papers, and go to bed like a sensible fellow. We’ll have a good talk tomorrow, but you really mustn’t go on with this reading; it is not good for you!”
Neither spoke for five minutes.
“Here’s another alternative for me,” said Nastasia, turning once more to the actress; “and he does it out of pure kindness of heart. I know him. I’ve found a benefactor. Perhaps, though, what they say about him may be true--that he’s an--we know what. And what shall you live on, if you are really so madly in love with Rogojin’s mistress, that you are ready to marry her--eh?”
“Was Nastasia Philipovna with him?”

“Did you get my hedgehog?” she inquired, firmly and almost angrily.

“Very well, then there’s an experiment, and the thing is proved; one cannot live and count each moment; say what you like, but one _cannot_.”
“Married? how--what marriage?” murmured Gania, overwhelmed with confusion.
“One thing I may tell you, for certain,” concluded Ptitsin, addressing the prince, “that there is no question about the authenticity of this matter. Anything that Salaskin writes you as regards your unquestionable right to this inheritance, you may look upon as so much money in your pocket. I congratulate you, prince; you may receive a million and a half of roubles, perhaps more; I don’t know. All I _do_ know is that Paparchin was a very rich merchant indeed.”
“One more second and I should have stopped him,” said Keller, afterwards. In fact, he and Burdovsky jumped into another carriage and set off in pursuit; but it struck them as they drove along that it was not much use trying to bring Nastasia back by force.
“Hadn’t you better say corkscrew?” said Hippolyte.

“H’m! well--here, you fellow--you can come along with me now if you like!” cried Rogojin to Lebedeff, and so they all left the carriage.

“Why should it be secret? Not at all; I will call on her myself tomorrow.”
II.
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people. “Oh--I didn’t like to disturb you, prince, in the midst of your private and doubtless most interesting personal reflections. Besides, I wanted to appear, myself, to have found nothing. I took the purse, and opened it, and counted the money, and shut it and put it down again under the chair.”
“He may not be home for a week.”

Gania stood at the door like a block and looked on in silence, putting no obstacle in the way of their entrance, and ten or a dozen men marched in behind Parfen Rogojin. They were a decidedly mixed-looking collection, and some of them came in in their furs and caps. None of them were quite drunk, but all appeared to be considerably excited.

“He turns people out of a house that isn’t his own,” muttered Rogojin.

Nastasia Philipovna overheard the remark, and burst out laughing.
“Yes, he went at seven o’clock. He came into the room on his way out; I was watching just then. He said he was going to spend ‘the rest of the night’ at Wilkin’s; there’s a tipsy fellow, a friend of his, of that name. Well, I’m off. Oh, here’s Lebedeff himself! The prince wants to go to sleep, Lukian Timofeyovitch, so you may just go away again.”
Nastasia Philipovna was also much impressed, both with Gania’s action and with the prince’s reply.
“I’ve never learned anything whatever,” said the other.
“I thought he would cut my throat at first, and went about armed ready to meet him. But he took it differently; he fainted, and had brain fever and convulsions. A month after, when he had hardly recovered, he went off to the Crimea, and there he was shot. “A lodger here,” continued the other, staring as before.
The prince understood at last why he shivered with dread every time he thought of the three letters in his pocket, and why he had put off reading them until the evening.

“Accept, Antip,” whispered the boxer eagerly, leaning past the back of Hippolyte’s chair to give his friend this piece of advice. “Take it for the present; we can see about more later on.”

“Dear me! This is very unpleasant!”

Among all the incidents of the day, one recurred to his mind to the exclusion of the rest; although now that his self-control was regained, and he was no longer under the influence of a nightmare, he was able to think of it calmly. It concerned the knife on Rogojin’s table. “Why should not Rogojin have as many knives on his table as he chooses?” thought the prince, wondering at his suspicions, as he had done when he found himself looking into the cutler’s window. “What could it have to do with me?” he said to himself again, and stopped as if rooted to the ground by a kind of paralysis of limb such as attacks people under the stress of some humiliating recollection.

She took her glass, and vowed she would empty it three times that evening. She was hysterical, and laughed aloud every other minute with no apparent reason--the next moment relapsing into gloom and thoughtfulness.
The prince glanced at him, but said nothing. He shook himself free, and rushed on downstairs.

“Get out, keep your distance!” shouted Rogojin.

“H’m! and instead of a bad action, your excellency has detailed one of your noblest deeds,” said Ferdishenko. “Ferdishenko is ‘done.’”

“I don’t understand you in the least, Parfen.”

“I took a droshky and drove over to the Vassili Ostroff at once. For some years I had been at enmity with this young Bachmatoff, at school. We considered him an aristocrat; at all events I called him one. He used to dress smartly, and always drove to school in a private trap. He was a good companion, and was always merry and jolly, sometimes even witty, though he was not very intellectual, in spite of the fact that he was always top of the class; I myself was never top in anything! All his companions were very fond of him, excepting myself. He had several times during those years come up to me and tried to make friends; but I had always turned sulkily away and refused to have anything to do with him. I had not seen him for a whole year now; he was at the university. When, at nine o’clock, or so, this evening, I arrived and was shown up to him with great ceremony, he first received me with astonishment, and not too affably, but he soon cheered up, and suddenly gazed intently at me and burst out laughing.
For some time the prince wandered about without aim or object. He did not know the town well. He stopped to look about him on bridges, at street corners. He entered a confectioner’s shop to rest, once. He was in a state of nervous excitement and perturbation; he noticed nothing and no one; and he felt a craving for solitude, to be alone with his thoughts and his emotions, and to give himself up to them passively. He loathed the idea of trying to answer the questions that would rise up in his heart and mind. “I am not to blame for all this,” he thought to himself, half unconsciously.
Colia stopped a moment as though he wished to say something; but Lebedeff dragged him away.
“No, it is impossible for me to come to your house again,” he added slowly.
The prince muttered something, blushed, and jumped up; but Aglaya immediately sat down beside him; so he reseated himself.
It was strange, Nastasia Philipovna felt, to see Aglaya like this. She gazed at her, and could hardly believe her eyes and ears for a moment or two. “Yes, they’ll be awfully annoyed if they don’t see it.”
“What are you staring at me like that for?” he muttered. “Sit down.”
Gavrila Ardalionovitch was in high spirits that evening, and it seemed to the prince that his gaiety was mingled with triumph. Of course he was only joking with Lebedeff, meaning to egg him on, but he grew excited himself at the same time.

“Oh, sit down, sit down, why are you standing?”

“But it is so difficult, and even impossible to understand, that surely I am not to be blamed because I could not fathom the incomprehensible?

“Ferdishenko has gone, you say?”

“You have no right.... I am not simple,” stammered Burdovsky, much agitated.
The prince begged him to step in and sit down.
“Shall I see you home?” asked the prince, rising from his seat, but suddenly stopping short as he remembered Aglaya’s prohibition against leaving the house. Hippolyte laughed.