“There, look at her now--Ivan Fedorovitch! Here she is--all of her! This is our _real_ Aglaya at last!” said Lizabetha Prokofievna.
“Prince,” he began again, “they are rather angry with me, in there, owing to a circumstance which I need not explain, so that I do not care to go in at present without an invitation. I particularly wish to speak to Aglaya, but I have written a few words in case I shall not have the chance of seeing her” (here the prince observed a small note in his hand), “and I do not know how to get my communication to her. Don’t you think you could undertake to give it to her at once, but only to her, mind, and so that no one else should see you give it? It isn’t much of a secret, but still--Well, will you do it?”

“What! I tell stories, do I? It is true! I gave him my promise a couple of days ago on this very seat.”

The room they were now sitting in was a large one, lofty but dark, well furnished, principally with writing-tables and desks covered with papers and books. A wide sofa covered with red morocco evidently served Rogojin for a bed. On the table beside which the prince had been invited to seat himself lay some books; one containing a marker where the reader had left off, was a volume of Solovieff’s History. Some oil-paintings in worn gilded frames hung on the walls, but it was impossible to make out what subjects they represented, so blackened were they by smoke and age. One, a life-sized portrait, attracted the prince’s attention. It showed a man of about fifty, wearing a long riding-coat of German cut. He had two medals on his breast; his beard was white, short and thin; his face yellow and wrinkled, with a sly, suspicious expression in the eyes.
All around burst out laughing.
“My goodness, what utter twaddle, and what may all this nonsense have signified, pray? If it had any meaning at all!” said Mrs. Epanchin, cuttingly, after having listened with great attention.
“‘Child,’ he said, abruptly. ‘If I were to recognize the Russian orthodox religion and emancipate the serfs, do you think Russia would come over to me?’”
“Yes--that’s a copy of a Holbein,” said the prince, looking at it again, “and a good copy, too, so far as I am able to judge. I saw the picture abroad, and could not forget it--what’s the matter?”
The general looked significantly at his host.
These words painfully impressed the whole party; but especially her parents. Lizabetha Prokofievna summoned a secret council of two, and insisted upon the general’s demanding from the prince a full explanation of his relations with Nastasia Philipovna. The general argued that it was only a whim of Aglaya’s; and that, had not Prince S. unfortunately made that remark, which had confused the child and made her blush, she never would have said what she did; and that he was sure Aglaya knew well that anything she might have heard of the prince and Nastasia Philipovna was merely the fabrication of malicious tongues, and that the woman was going to marry Rogojin. He insisted that the prince had nothing whatever to do with Nastasia Philipovna, so far as any liaison was concerned; and, if the truth were to be told about it, he added, never had had.

“He’s fainted!” the cry went round.

“This--this is going beyond all limits!” said Lizabetha Prokofievna, suddenly alarmed.

“They are Nihilists, are they not?”

“‘From his face he never lifted That eternal mask of steel.’”

“There was no cap in it,” Keller announced.

“Honour, indeed!” said the latter, with contempt.

In spite of the kindly-meant consolations of his new friends, the prince walked to his hotel in inexpressible anguish of spirit, through the hot, dusty streets, aimlessly staring at the faces of those who passed him. Arrived at his destination, he determined to rest awhile in his room before he started for Rogojin’s once more. He sat down, rested his elbows on the table and his head on his hands, and fell to thinking.

What had happened to him? Why was his brow clammy with drops of moisture, his knees shaking beneath him, and his soul oppressed with a cold gloom? Was it because he had just seen these dreadful eyes again? Why, he had left the Summer Garden on purpose to see them; that had been his “idea.” He had wished to assure himself that he would see them once more at that house. Then why was he so overwhelmed now, having seen them as he expected? just as though he had not expected to see them! Yes, they were the very same eyes; and no doubt about it. The same that he had seen in the crowd that morning at the station, the same that he had surprised in Rogojin’s rooms some hours later, when the latter had replied to his inquiry with a sneering laugh, “Well, whose eyes were they?” Then for the third time they had appeared just as he was getting into the train on his way to see Aglaya. He had had a strong impulse to rush up to Rogojin, and repeat his words of the morning “Whose eyes are they?” Instead he had fled from the station, and knew nothing more, until he found himself gazing into the window of a cutler’s shop, and wondering if a knife with a staghorn handle would cost more than sixty copecks. And as the prince sat dreaming in the Summer Garden under a lime-tree, a wicked demon had come and whispered in his car: “Rogojin has been spying upon you and watching you all the morning in a frenzy of desperation. When he finds you have not gone to Pavlofsk--a terrible discovery for him--he will surely go at once to that house in Petersburg Side, and watch for you there, although only this morning you gave your word of honour not to see _her_, and swore that you had not come to Petersburg for that purpose.” And thereupon the prince had hastened off to that house, and what was there in the fact that he had met Rogojin there? He had only seen a wretched, suffering creature, whose state of mind was gloomy and miserable, but most comprehensible. In the morning Rogojin had seemed to be trying to keep out of the way; but at the station this afternoon he had stood out, he had concealed himself, indeed, less than the prince himself; at the house, now, he had stood fifty yards off on the other side of the road, with folded hands, watching, plainly in view and apparently desirous of being seen. He had stood there like an accuser, like a judge, not like a--a what?

“Oh, I like that! That beats anything!” he cried convulsively, panting for breath. “One is an absolute unbeliever; the other is such a thorough-going believer that he murders his friend to the tune of a prayer! Oh, prince, prince, that’s too good for anything! You can’t have invented it. It’s the best thing I’ve heard!”

“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
“Allow me--”
“Yes, violent. I can give you a proof of it. A few days ago she tried to pull my hair because I said something that annoyed her. I tried to soothe her by reading the Apocalypse aloud.”
“And you have it still?”
“My father was just about to be tried when he died,” said the prince, “although I never knew of what he was accused. He died in hospital.”
“Yesterday morning the prince came to see me. Among other things he asked me to come down to his villa. I knew he would come and persuade me to this step, and that he would adduce the argument that it would be easier for me to die ‘among people and green trees,’--as he expressed it. But today he did not say ‘die,’ he said ‘live.’ It is pretty much the same to me, in my position, which he says. When I asked him why he made such a point of his ‘green trees,’ he told me, to my astonishment, that he had heard that last time I was in Pavlofsk I had said that I had come ‘to have a last look at the trees.’
“But we do mind,” said Lebedeff’s nephew vehemently. “Prince, your ‘never mind’ is an insult to us. We have nothing to hide; our actions can bear daylight. It is true that there are only a hundred roubles instead of two hundred and fifty, but it is all the same.”
Nastasia gazed at the prince in bewilderment. “Prince? He a Prince? Why, I took him for the footman, just now, and sent him in to announce me! Ha, ha, ha, isn’t that good!”

“Is it a note?”

“Simply--my dear prince,--simply she is in love with you,--that’s the whole of the secret!” replied Colia, with authority.
“It puzzles me much to think how on earth the prince guessed yesterday that I have had bad dreams. He said to me, ‘Your excitement and dreams will find relief at Pavlofsk.’ Why did he say ‘dreams’? Either he is a doctor, or else he is a man of exceptional intelligence and wonderful powers of observation. (But that he is an ‘idiot,’ at bottom there can be no doubt whatever.) It so happened that just before he arrived I had a delightful little dream; one of a kind that I have hundreds of just now. I had fallen asleep about an hour before he came in, and dreamed that I was in some room, not my own. It was a large room, well furnished, with a cupboard, chest of drawers, sofa, and my bed, a fine wide bed covered with a silken counterpane. But I observed in the room a dreadful-looking creature, a sort of monster. It was a little like a scorpion, but was not a scorpion, but far more horrible, and especially so, because there are no creatures anything like it in nature, and because it had appeared to me for a purpose, and bore some mysterious signification. I looked at the beast well; it was brown in colour and had a shell; it was a crawling kind of reptile, about eight inches long, and narrowed down from the head, which was about a couple of fingers in width, to the end of the tail, which came to a fine point. Out of its trunk, about a couple of inches below its head, came two legs at an angle of forty-five degrees, each about three inches long, so that the beast looked like a trident from above. It had eight hard needle-like whiskers coming out from different parts of its body; it went along like a snake, bending its body about in spite of the shell it wore, and its motion was very quick and very horrible to look at. I was dreadfully afraid it would sting me; somebody had told me, I thought, that it was venomous; but what tormented me most of all was the wondering and wondering as to who had sent it into my room, and what was the mystery which I felt it contained.

“She is mad, insane--I assure you, she is mad,” replied the prince in trembling tones, holding out both his hands mechanically towards the officer.

A strange rumour began to circulate, meanwhile; no less than that the respectable and highly respected General Epanchin was himself so fascinated by Nastasia Philipovna that his feeling for her amounted almost to passion. What he thought to gain by Gania’s marriage to the girl it was difficult to imagine. Possibly he counted on Gania’s complaisance; for Totski had long suspected that there existed some secret understanding between the general and his secretary. At all events the fact was known that he had prepared a magnificent present of pearls for Nastasia’s birthday, and that he was looking forward to the occasion when he should present his gift with the greatest excitement and impatience. The day before her birthday he was in a fever of agitation.
“And Hippolyte has come down here to stay,” said Colia, suddenly.

They had left the garden now, and were crossing the yard on their way to the gate.

With a grave and ceremonious air, Marfa Borisovna motioned the prince to a chair at one of the card-tables. She seated herself opposite, leaned her right cheek on her hand, and sat in silence, her eyes fixed on Muishkin, now and again sighing deeply. The three children, two little girls and a boy, Lenotchka being the eldest, came and leant on the table and also stared steadily at him. Presently Colia appeared from the adjoining room.

“A hundred thousand,” replied the latter, almost in a whisper.

“Oh, don’t be so worried on my account, prince! I assure you I am not worth it! At least, not I alone. But I see you are suffering on behalf of the criminal too, for wretched Ferdishenko, in fact!”

“Then, general, it’s your turn,” continued Nastasia Philipovna, “and if you refuse, the whole game will fall through, which will disappoint me very much, for I was looking forward to relating a certain ‘page of my own life.’ I am only waiting for you and Afanasy Ivanovitch to have your turns, for I require the support of your example,” she added, smiling.
“Well, I’ll come, I’ll come,” interrupted the prince, hastily, “and I’ll give you my word of honour that I will sit the whole evening and not say a word.”
At last Rogojin took the prince’s hand, and stood so for some moments, as though he could not make up his mind. Then he drew him along, murmuring almost inaudibly,
“Only to show it. Nastasia Philipovna gave it to Gavrila Ardalionovitch today, and the latter brought it here to show to the general.”
“Let me add to this that in every idea emanating from genius, or even in every serious human idea--born in the human brain--there always remains something--some sediment--which cannot be expressed to others, though one wrote volumes and lectured upon it for five-and-thirty years. There is always a something, a remnant, which will never come out from your brain, but will remain there with you, and you alone, for ever and ever, and you will die, perhaps, without having imparted what may be the very essence of your idea to a single living soul.
“Mamma!” said Alexandra, shocked at her rudeness. “And you, princess,” he went on, addressing Princess Bielokonski, “was it not you who received me in Moscow, six months since, as kindly as though I had been your own son, in response to a letter from Lizabetha Prokofievna; and gave me one piece of advice, again as to your own son, which I shall never forget? Do you remember?” It was not a large party, however. Besides Princess Bielokonski and the old dignitary (who was really a great man) and his wife, there was an old military general--a count or baron with a German name, a man reputed to possess great knowledge and administrative ability. He was one of those Olympian administrators who know everything except Russia, pronounce a word of extraordinary wisdom, admired by all, about once in five years, and, after being an eternity in the service, generally die full of honour and riches, though they have never done anything great, and have even been hostile to all greatness. This general was Ivan Fedorovitch’s immediate superior in the service; and it pleased the latter to look upon him also as a patron. On the other hand, the great man did not at all consider himself Epanchin’s patron. He was always very cool to him, while taking advantage of his ready services, and would instantly have put another in his place if there had been the slightest reason for the change. “He discovered everything, the monster... himself......”

Yet Aglaya had brought out these letters N. P. B. not only without the slightest appearance of irony, or even any particular accentuation, but with so even and unbroken an appearance of seriousness that assuredly anyone might have supposed that these initials were the original ones written in the ballad. The thing made an uncomfortable impression upon the prince. Of course Mrs. Epanchin saw nothing either in the change of initials or in the insinuation embodied therein. General Epanchin only knew that there was a recitation of verses going on, and took no further interest in the matter. Of the rest of the audience, many had understood the allusion and wondered both at the daring of the lady and at the motive underlying it, but tried to show no sign of their feelings. But Evgenie Pavlovitch (as the prince was ready to wager) both comprehended and tried his best to show that he comprehended; his smile was too mocking to leave any doubt on that point.

No one met him; the verandah was empty, and nearly pitch dark. He opened the door into the room, but it, too, was dark and empty. He stood in the middle of the room in perplexity. Suddenly the door opened, and in came Alexandra, candle in hand. Seeing the prince she stopped before him in surprise, looking at him questioningly.
“Oho! ho, ho, ho!” cried Ferdishenko. “_Now_ then, prince! My word, what things I would say if I had such a chance as that! My goodness, prince--go on!”
Lebedeff’s face brightened.
“I don’t know; she doesn’t come often. I think I should have known if she had come.”
“The Emperor was much struck.”
“You asked me about your faces, and what I could read in them; I will tell you with the greatest pleasure. You, Adelaida Ivanovna, have a very happy face; it is the most sympathetic of the three. Not to speak of your natural beauty, one can look at your face and say to one’s self, ‘She has the face of a kind sister.’ You are simple and merry, but you can see into another’s heart very quickly. That’s what I read in your face.